Church of St. Augustine (Bantay, Ilocos Sur)

The town’s restored 18th century church was built from 1691 to 1692 by Fr. Cortes. This served as a refugee camp for evacuees during the Basi Revolt in 1807. The church was rebuilt and restored by Fr. E. Navarro (parish priest 1870-1875) and was continued by Fr. L. Villanueva in 1892. Fr. A. Versoza patched the roof with galvanized iron. The church underwent another repair in 1950 due to the damage it incur during the 2nd World War.

The church’s facade is flanked by massive rectangular twin towers that has features of Baroque, Neo-Gothic and Pseudo-Romanesque features. The neo-Gothic is visible in the recessed main entrance, having a pointed lancet like arch flanked by blind pointed arcading. On the other hand, the decorative volutes around the second level window suggests the baroque feature and finally, the central window shaft with balustrade is considered to be pseudo-Romanesque in feature.

The facade’s only decorated parts are broken curves along the top of the triangular pediment and the inverted traceries below the eaves. A separate three-storey hill top, square bell tower, which served as a look out for an approaching enemy. It offers a fine view of an old nearby cemetery and the rest of the area.

The church is the home of the oldest Marian image in the Ilocos, Our Lady of Charity. The image is said to be miraculous and venerated by the Ilocanos. The 50-inch tall image is made of wood, except for the ivory face and hands (the ivory parts were stolen in 1928). The image was crowned by Egidio Vagnozi, Apostolic Nuncio to the Philippines on January 13, 1956.

Photos Courtesy of Mr. Ivan Mainar, R.N.

St. Augustine Church (Paoay, Ilocos Region)

The town’s most impressive landmark is the Aztech-like church, situated near the banks of the Wawa River. This church was included in the UNESCO’s World Heritage List in 1994 and also declared as a National Treasure for its architecture. This fortress-like church is a premier example of Philippine Earthquake Baroque Architecture.  The construction lasted from 1699 – 1702 under the term of Fr. Antonio Estavillo and repairs were done in 1865 by Fr. Ruperto Rodriguez. A major restoration was supervised by Fr. Baldomero Real from 1889 -1898.  The official inauguration was on the 18^th of February 1896.

The only one in the country with a 24 2.5 meter (3 varas) thick massive stone buttresses that ballast the walls and two exterior stone staircases (near the main altar transept) on both sides that reached the roof of the church. Thick coral block walls (1.67-meter )  were faced with bricks and sealed with a particularly hard lime mortar with sugar cane juice.

Fourteen molave posts supports the main nave. Measuring 60 meters (72 varas) long, 15 meters (17 varas) wide and 5.10 meters (6 varas high). The transept is about 7 meters (8 varas) high.

A combination of gothic, Baroque and oriental’s Indian madjapahit designs adorn the church’s unique two-level triangular façade divided by horizontal string courses. Baroque features are seen in the elegant curving and flowing huge scrolled buttresses. On the other hand, the decorative pinnacles are of Gothic nature. Chinese and Javanese influence are also present with the gables and the crenellations and five niches respectively. The formerly molave-made arched main entrance door is now made of wrought iron. Plain with square pillars extending vertically to the pediment and capped pinnacles makes up the lower level. Rosettes, volutes, foliage, royal emblems, and coat of arms decorate the horizontal cornices that divide the huge pediment.

Twenty Seven oil paintings are hung in the interior walls supported by gold pointed wooden frames at least 1.25 meters wide. Thirteen paintings on the sacristy wall, represent the Passion of Christ while the four paintings of buen pincel represent the four evangelists. John the Baptist’s painting decorates the baptistery. The 3-storey main altar has almost life-size wooded statue and the secondary altars on each side are each fitted with golden retablos.  A large statue of Christ is found over the wooden rail of the choir loft. A majestically designed pulpit and a statue of the Holy family were imported from Spain in 1891. While the windows are still made of Capiz shells, the ceiling is covered with strangds of cana de boxo.

A separate three-storey  coral stone bell tower was primarily built with 3.5 meter high wooden posts and three bells and enlarged from 1759 to 1759 by Fr. Torres using chopped coral stones and molave braces glued together. In 1793 and 1818, the main entrance doors as well as five bells were installed by Fr. Jose Nieto correspondingly. The katipuneros used it as a watch tower during the Spanish war at the same time the local guerillas used it during the Japanese regime.

* photos compliments of Mr. Ivan Mainar, R.N.

St. Paul’s Cathedral (Vigan, Ilocos Region)

St. Paul’s Metropolitan Cathedral was built by the Augustinian clergy around 1790 and like the St. William’s Cathedral, it has features a design intended to minimize earthquake damage that was referred to as “earthquake baroque”.  Furthermore, it also features the Neo-Gothic and pseudo Romanesque motifs. There are brass communion handrails copied from China, complete with Chinese characters scribbled by its makers.

In the south of the cathedral lies the eight-sided bell tower used as a safety measure of the church. It was said to be built separately so that in any event of an earthquake, it would not topple into the church. The design said to have a Chinese Feng Shui influences. Lies inside the church is a tombstone of the great Ilocano poet Leona Florentino.

It is also in this church where Vigan’s Beloved late Governor Floro Crisologo was gunned down while he knelt on a pew inside the Cathedral in 1970.

*PHOTOS: Courtesy of Mr. Ivan Mainar

St. William the Hermit Cathedral (Laoag City, Ilocos Region)

In 1580, the Augustinian Clergy founded the parish and made a  church out of wood and tactched nipa palm chapel. It was then turned into a magnificent mixture of an Italian Renaissance Design and Baroque-style that was said to build between 1650 and 1700.  It was seriously damaged during an earthquake in November 17, 1707, partially destroyed by fire in 1843. It was Fr. Vicente Barreiro who had completely restored it then.

Again, the church succumb to another damage in July 18, 1880 earthquake and it was Fr. Santiago Muniz and Engineer Antonio de la Camara who took charge of the repairs.

The church served as sanctuary for Pedro Almazan in 1661, the revolutionaries in 1896, American forces in 1899 and Aglipayans in 1901. The 1932 diocesan Marian Congress was held here as well. Further, the church suffered from another earthquake in September 7, 1983 which caused some statues from the altar and niches plummet into the floor.

This church made of brick and stone has a unique, newly-plastered, two-storey façade with a main arched entrance flanked by four pairs of over scaled, twin-engaged pilasters,  with the absence of pediments, adorned by a series of coupled urn-motifs finials and pseudo- Corinthian Capitals with its rosettes and acanthus leaves. Five sets of mini-columns with pseudo-Doric Capitals arise from the architrave and decorated the choir loft level. Columns in each storey follow their patterns ending abruptly without reaching the next level. Capiz windows with wrought iron grilles and two-exterior stone staircases, one of it was converted into a grotto. The chandeliers donated by the late President Ferdinand Marcos hang gloriously in its barrel-vaulted ceilings. Over the altar lies the Augustinian emblem of a transfixed heart and a tasseled hat. The image of their Patron Saint San Guillermo is placed in a deeply recessed niche.

*PHOTOS: COURTESY of Mr. Ivan Mainar