The Cathedral of San Sebastian (Bacolod City)

Fr. Mauridio Ferrero, O.A.R., the parish work of Bacolod (1871-1898; 1902-1910) was responsible for the striking structure of the Cathedra of San Sebastian. In 1825, the original church was constructed by Fr. Julian Gonzaga (parish priest 1818-1836). The ancient church was made of wood and galvanized roofing. It had one medium-sized bell until Fr. Roman Manuel Locsin donated a large bell and another priest, Fr. Mariano de Avila gave one when he became the parish priest in 1863 after the death of Fr. Locsin. The bell of Fr. De Avila was installed in the tower when the Cathedral was constructed in 1876, but lowered in 1969 when the towers were built. It was never returned there until 1976 when the Sugarlandia Lions Club of Bacolod constructed a special belfry where it hangs today with Fr. Ferrero’s small bell.

When Fr. Mauricio Ferrero took over in 1871, he initiated plans for the building of a bigger church made of coral stones. The plan was submitted to Bishop Mariano Cuartero of Jaro. It was on April 27, 1876 when the foundation stone was laid. Fr. Mauricio made an agreement with the politico-military governor, Roman Pastor for the use of the prisoners in the church construction. The governor agreed provided that Fr. Maurico also design and supervise the construction of a stone prison. The coral stones of the cathedral were cut from the deposits of Guimaras and brought by barge and lurches to Bacolod. The wooden parts were made from hardwood cut in Palawan.

On the eve of the feast of San Sebastian, January 19, 1882, Bishop Cuartero blessed the biggest church in the province. A pontifical mass was celebrated by the bishop the following day before a packed audience composed of government and church officials of the province and Iloilo. Parish priests and leading citizens of other towns joined the festivities.

The two towers that is present today were set up three years later. The right tower of the church was constructed first. Don Luis Ruiz de Luzurriaga, donated a huge clock that became the main keeper of the town. The left tower was constructed later. Both towers were made of aluminum sheet with hardwood framings. It was also in 1885 that the big organ was installed on a nave just above the church entrance. The organ was disassembled during the reconstruction of the church in 1969 and never returned.

In 1969, the two towers were demolished as a public hazard upon orders of the Bacolod City Engineer’s office. The rector of the cathedral, Fr. Antonio Santes raised funds to build the towers. A cathedral tower reconstruction committee engaged in fund raising activities.

The San Sebastian Cathedral was declared the cathedral church in 1933 when Bacolod became a diocese. In 1956, the second bishop of Bacolod, Bishop Manuel Yap, increased the prestige of the church when the consecrated it in solemn ceremonies after it was reconstructed. The main altar was simplified and a life-size statue of San Sebastian was enshrined. In the bosom of the Cathedral are the remains of Bishop Casimiro Lladoc, the first bishop of Bacolod and Bishop Manuel Yap, the second Bishop, as well as the remains of generous benefactors of the past decades.

The parish rectory, now the Bishop’s house was also constructed by Fr. Ferrero. The construction started on May 21, 1891 and was finished in 1894. The materials were taken from Palawan, while the coral stones were from Guimaras. Some of the bricks were locally made, masonry was mostly by Chinese artisans.

Visita Iglesia’s Top 5 Churches for Weddings

It may be grand or solemn – a family affair or the talk of the town. The motif may range from black to white – and the budget… Let us not talk about money. The aisle may be long or some may prefer it short because their beautiful new shoes are killing them. The altar may be simple or elaborate as the church may be big or just a small chapel up on the hill side. At the end of it all, it will all come down to the will you’s and I do’s.

The church hosts one of the blessed sacraments in the lives of two individuals bound to spend the rest of their lives together — the holy matrimony.

Iloilo is sorrounded with wonderful houses of worship where couples could choose where to held the momentous occasion. Visita Iglesia picks five among over a dozes beautiful churches over Metro Iloilo on where to speak your vows and start forever with the man or woman of your dreams.

St. Joseph Parish (Jaro, Iloilo City)

This beautiful modern church found in Jaro has been one of the top choices of Visita Iglesia. It is situated in the section of the city that is moderately busy. With a function room found inside the premises, reception is not a problem. The altar offers a drama that no photgrapher can refuse, a sole cross in the middle and a well-elevated altar proved to be an interesting backdrop for wedding photos.

St. Clements Church (La Paz, Iloilo City)

This white church under the Redemptorists sits in the heart  of the busy La Paz district. Not only that this church is accessible – but the altar provides a view that enchants photographers and people alike. The ventilation is good since both sides are open for air to pass freely inside the church.

San Agustin Church (Sambag, Jaro, Iloilo City)

One of the newest church to be built and already gained so much popularity because if its commendable modern design.

Parish of St. Thomas of Villanova (Miag-ao, Iloilo)

The interiors of the Miag-ao Church is as breathtaking as its façade. Found in the outskirts of the city and one of the coastal town in Iloilo, the church is one of the island’s most treasured ancient structure that has been preserved not just for tourists but for special occasions such as weddings. A wide array of beach resorts offer a great venue for an after party.

Jaro Cathedral (Jaro, Iloilo City)

This majestic structure in the center of Jaro is the only cathedral found in Iloilo City. Although the church is undergoing major renovation, the glorious aura of this citadel ramins with its long aisle and wide nave. A function hall found inside the premises can cater to your reception needs.

*administrators of this website have asked permission from the administrator of iloiloonline.blogspot.com & exploreiloilo.com (THANK YOU!)

Parish of Our Lady of Peace and Good Voyage (La Paz, Iloilo City)

Location          : La Paz, Iloilo

Feast Day        : May 24 (Annual district fiesta)

History            : This neo-classical church was made of stone and bricks with Greek pediments. The parish was organized in 1870 under the leadership of an Augustinian priest, Fr. Candido Gonzales. The church was composed of red bricks, stone, cement and wood. It was damaged during the Second World War and the infamous 1948 earthquake. The only thing that with stood the forces of men and nature is its façade. The convent was immediately renovated after the war ended. Major restorations were done through the years but mostly during the incumbency of Msgr. Melicio Fegarido. The inauguration of the fully restored church was done on May 24, 1995 during the celebration of the town fiesta.

Parish of St. Martin (Dumalag, Capiz)

An indication that the first church and convent were constructed between 1600 and 1720, a record of an exemption of payment for the rent was found in Manila.

Fr. Agustin Duran in 1883 constructed the present church which was a reconstruction of the previous one that was damaged.

Between 1866 and 1881, Fr. Angel Abasolo build or rebuilt the present church. The construction began with a fund of P300.00 and the expenses reached up to P50,000.00 by 1873. However, the church and convent were both destryoyed in 1875.

Measuring 70 meters long and 18 meters wide, the church is made of yellow sandstone. It has a front door and two side doors, massive buttresses supported six arched windows between columns reaching up to the roof.

The façade wall is decorated with small pilasters. At the left side of the church is a 5-story bell tower. The five bells found inside the belfry was brought by Fr. Ledesma Perez in 1881.

The interior resembles the pattern of a Latin cross. It had been retouched considerably and in the process, the magnificant paintings of Fr. Juan Carlos peeled off.

Rising up to the rectangular pediment are six rectangular pilasters that initiated a vertical movement and stressed by a slender, tapering six story octagonal bell-tower which offers elegance to the otheriwse dull surface façade.

Sta. Monica Parish (Pan-ay, Capiz)

The famous Baroque Church of Pan-ay Capiz was probably built around 1700 and reconstructed  in 1714 and 1875.

According to Fr. Lopez, the population of Pan-ay alone could not possibly afford the building until an agreement with the alcalde mayor made it possible with a donation of P288.00 from the community treasury.

Another reconstruction took place under the incumbency of Fr. Miguel Murguia in 1744. The church was heavily damaged due to a typhoon on January 17, 1875 and again renovated in 1884 by Fr. Jose.

The citadel , a big structure made of sandstone, measuring up to 70 meters long and 25 meters wide by 18 meters high. It follows the pattern of the latin cross with a large central altar and four lateral ones, each of which has a gorgeously decorated and retables made of hardwood covered with gold, it is adorned with a variety of polychromed statues of high artistic quality.

Artisans as far from Manila, according to the clapards, designed the Baroque decorations, settin the main altar in silver. Jose Bergamo or Sarhento Itak, the town’s greatest sculptor, did most of the retablos, bass relief and other religious images. The church was completed in 1771.

Unlike its elaborate Baroque interior, the exterior is simply embellished with pillars and horizontal ledges with life-size statues of the Augustinian saints St. Thomas de Villanova and Monica flanked in a niche. The five-story belfry is the house of the very large bell cast in the 19^th century from the donation of 70-sack coins of the townfolk. It measures seven feet in diameter, five feet in height and weighs 10,400 kilograms. The people of the town referred to it Dakong Lingganay or Big Bell.

The bell was cast by Don Juan Reina who settled in JM Basa St, Iloilo City sinnce 1898 and established his blacksmith and casting shop. Fr. Jose Beloso sent for him when the belfry was being constructed. With a few basic tools, Reina set up a temporary shop at the foot of the town and hurried up with the casting of the bell. The moment the bell was tried during the Angelus, the sound was too loud that it could be heard in every nearby town. After he was paid by the parish priest, he returned to Iloilo. The bell cracked in a month’s time. From that time, the bell sounded more like a frying pan than a bell. The priest summoned the blacksmith furiously and demanded he should recast the bell for free. Don Juan, who had the temper of a baturro (countrymen from Aragon) would have none if it. No less stubborn, Fr. Beloso, appealed to Bishop Cuartero, after a heated discussion with the blacksmith, sent a circular to all priests in the island, prohibitng them fron contracting any job to Don Juan.

In the very strange manner, the deadlock was broken. Bishop Cuartero would spend long sleepless nights duue to a chronic toothache. Iron ically, the only dentist who could help him is no less than Don Juan, the blacksmith. He was sent for and the bishop meekly submitted himself to have his tooth pulled out.

The blacksmith was delighted in this great opportunity. As he got ready to apply the hook, he asked the bishop in genuine insolence, “Your excellency, is there any job for a bell caster?” and came the reply of the bishop, “Of course Don Juan, there is.” A big pull and the tooth went out. After this moment, it was not longer difficult for the blacksmith to find work.

The insciption in the bells states: Soy la voz de Dios que Ilevarey ensalzare desde el principio hasta el fin de este pueblo de Panay para que los fieles de Jesus vengan e esta casa de Dion a recibit las gracias celestiales (I am God’s voice which I shall echo and praise from one end to the other of the town of Panay, so that the faithful followers of Christ may may come to this house of God to receive heavenly graces.) The bell was cast in this town by Don Juan Reina to the glory of God and the Virgin Consolation while Fr. Jose Beloso was the parish priest of the town of Panay, 21^st of December, 1878. Another bell reads: Josepus (sic) Beloso fecit and laudem Sanetissimi Tritatos, B.M. Consolationis Huius oppido de Panay patrona et advocada. Anno domini 1867. It weights 183 arrobas. The small bell dated 1721.

The typhoon of March 5, 1874 destroyed the roof of the church and another typhoon in January 1875 toppled the transept. It was repaired by Fr. Lesmes Perez in 1895. On the other thand, the destroyed convent was never been rebuilt.

The fortress have been called an excellent example of the Filipino Colonial Baroque style that has blended well with the neo-classic influence. The imposing façade is massive and solid in appearance, with the blending of its lines and volume. Shallow paired pilasters with narrow groobes in between divide the façade into rectangular carving portraying the Agustinian emblem. The second level has an ornate niche and a rose window complemented by a relief sculpture at the center of the pediment above it. The vertical movement of the pilasters counterfoiled by the sharp projectibf architrave and curvelinear indulation of the pediment. The dark open spaces of the entrance and the windows create a closer relationship between light and shadow. The finials shaped as pineapple on the top most part of the pediment wall add to the local exotic color of the church. The neoclassic look blends excellently with the Baroque influences.

Parish of Immaculate Concepcion Metropolitan Cathedral (Roxas City)

A typhoon struck Capiz in January 4, 1698 and destroyed a primitive church together with its convent. It was hard, according to the priest, to rebuilt a new one because the townfolk were not used to working. Luckily, the minister of Capiz, Fr. Domingo Horbegozo started building the church in 1728 – the same year when the convent was freed from paying rent to the St. Augustine Monastery. The construction was going on until 1732. It was on 1876 when the parish was finally finished and blessed. The Second World War cost much damage to it and wasn’t repaired until 1954. There was a noticable change when Capiz was canonically erected as a Diocese. It took its name from the town of Capiz which was the capital of the Province of Capiz, a year later the capital was made into a city and subsequently changed its name to Roxas City, in honor of Capiz most prominent son, the late President Manuel Roxas.

Pope Leo XII envisioned the creation of the Diocese of Capiz as early as 1902, but the vision was turned into reality until July 16, 1951 almost 50 years later in accordance with the Apostolic Letter “Ex Supremi Apostolatus” of Pope Pius XII on January 27, 1951.

The only blue church in the whole island of Panay stands in front of the river in the middle of a moderately-busy city.

Sto. Niño de Arevalo Parish (Villa, Arevalo Iloilo)

Location          : Villa, Arevalo

Feast Day        : 3^rd Sunday of January (Annual District fiesta)

History            : The flower capital of Iloilo is the home of the church where the 3^rd oldest original Sto. Niño image is enshrined. There are only three original image of the child Jesus in the whole archipelago. The oldest is found in Cebu, which was discovered by Legaspi in 1565, in Tondo Church found in 1572 and the one in Arevalo.

The original appearance of the church a cross plan with timber frame and square columns, unarticulated wall surface with simple arch window, there is a presence of a choir loft and an altar rail separating the clergy from the congregation (cancelli).

To preserve the altar, reconstruction was made during the time of Rev. Fr. Jerry R. Locsin (1986). The square column was removed, to promote a well-ventilated atmosphere inside the church, the side aisles were opened converting it to a wider seating space. The open concept of the using of grails through the entire length of the church promotes a well-ventilated atmosphere.

Another set of changes were made beginning September 2004 to December 2005 under the incumbency of Fr. Jess Candado. It was directed towards the renovation of the altar.

Parish of San Juan Nepumoceno (Anini-y, Antique)

The massive white coral baroque style church dedicated to San Juan Nepomuceno was built around 1630-1638 by priests working in Antique. It could be Fr. Hipolito Casiano but there was no evident recorded of the identity of the person who constructed it. It is the oldest, only century-old existing church in Antique. Read more

Parish of St. Barbara (Sta. Barbara, Iloilo)

Catmon is the old name of the town. In 1849, a Baroque-Renaissance model of church was built up in lieu of the old church that was destroyed in the 1787 earthquake. It took almost thirty years to finish it (1878). The interior is composed on one nave and a very spacious transept which is said to belong to the Tuscan orders. Read more

Parish of San Nicholas de Tolentino (Cabatuan, Iloilo)

The construction started in 1833 and fully completed in 1866 under the supervision of Fr. Manuel Ruiz. It is one of the best structure and largest in Panay. The interiors composed of a spacious transept and one main nave. A neo circular type, each side of the church seemed to be a facade. It is sandwiched by massive squat towers which destroys the balance of its classic structure. Three bull’s eye windows is pasted on the rear wall of the citadel. Fr. Manuel Gutierrez decorated the interiors in 1894 that resembled a basilica rather than an ordinary church. It has originally four big bells on each window of the four belfries. The ceiling is adorn with famous painting in Romes and beautiful chandeliers. Read more

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